Tiki Redefined

Tiki means a lot of things to a lot of people. At its root, the word Tiki refers to a god or idol, a symbol. As a purely American pop culture creation, Tiki was started in the 1930s in Hollywood as an escape. It borrowed heavily from Polynesian culture, including a love of tropical island motifs, music, and of course the carved statues know as Tikis. This phenomenon grew after World War Two through the 1950s, culminating with the statehood of Hawai’i in 1959.

There are those who accuse the Tiki movement of gross cultural appropriation. If you look at the Tiki of the 1950s and early 1960s, they may be right. I’d like to think it wasn’t intentional, but people during this time period used images and customs of Polynesian culture in somewhat insensitive ways. Everything from hotels to bowling alleys were decorated to look like tropical hideaways, often bastardizing Polynesian names and displaying garish versions of Tiki gods, all in the name of perpetuating the myth of an escape from reality. It was way over the top.

This in part led to the demise of Tiki culture in the late 1960s. The Summer of Love generation replaced their parents’ rum-fueled escapism with their own form, powered by drugs and free love. Not only did they see their predecessors’ ways as square; they also were offended by the artificial feel of it all. The hippie crowd was a back to nature movement, and they saw Tiki as a disgusting misappropriation of other cultures that was shameful.

This view of Tiki culture exists to this day in certain circles. Some people find it tacky and insensitive, but I believe they’re missing the point. Don’t get me wrong: I realize that our grandparents’ Tiki was 1950s kitschy Americana at its finest, and I can appreciate it for what it was – a slice of Mid-Century pop culture. The resurgence of Tiki that started in the 1990s was different from the original form from half a century before. Yes, we were very interested in how everything became so popular in the first place, but modern-day Tiki enthusiasts are digging a little deeper.

The work of people like Sven Kirsten, Leroy Schmaltz, Josh Agle, and Jeffrey Berry unearthed the original roots of Tiki pop culture. The study of Polynesian culture, from architecture to the varying forms of Tiki gods, helped identify the source material for American Mid-Century versions of these forms. Artistic depictions of Tikis became more genuine. Exotica music and its original creators came to be better appreciated as vinyl treasures were resurrected from the dustbins of history. And the history of Tiki mixology traced the lineage of these mysterious rum drinks to their origins in Caribbean bars, and fueled a resurgence of these craft cocktails as their secret recipes were decoded.

All this is to say that I believe modern Tiki is a form of cultural appreciation, not appropriation. I personally enjoy and have a deep respect for Polynesian culture, which includes knowing the difference between the peoples of Hawai’i and New Zealand and all islands in between. I appreciate the fact that most Tiki drinks were derived from recipes created by bartenders in Jamaica, Cuba, and across the Caribbean, and that most of today’s great rums still come from this part of the world.

And all Tikis aren’t created equal. A Ku from Hawai’i is very different from a Moai from Rapa Nui (Easter Island), which is in turn half a world away from the Maori carvings of New Zealand. My favorite Tikis come from the Marquesas Islands, and the one actual wooden Tiki statue I own was carved by a man in Kaua’i in the Marquesan style.

If you want to learn more about Tiki culture and the appreciation that is the modern Tiki revival, please check out the following books that serve as indispensable reference guides to me:

Sven Kirsten: The Book of Tiki

Douglas Nason featuring SHAG and Leroy Schmaltz: Night of The Tiki

Jeffrey Beachbum Berry: Potions of the Caribbean

In the mean time, please check out these respectful depictions of Tiki carving styles from different Polynesian countries. Mahalo.

All photos below taken from Night of The Tiki.

Moana

I had a feeling about this movie. We’ve known for over 2 years that Disney was working on a new, animated, feature-length film with a Polynesian theme. This was good news, as Disney has been a strong player in the Tiki ohana (see Keeping The Tiki Torch Lit).

The last 2 years have been filled with anticipation as the Disney marketing machine built up to the eventual release of Moana this Thanksgiving weekend. There were news releases when they picked the cast. There were previews, which we Tiki geeks faithfully promoted on our Facebook pages. There was the merchandise, which in typical Disney fashion, was available months before the movie came out. There was even a special pre-release event at our local Disney store, which I happily attended with a bunch of small children, not embarrassed at all to join in the fun. I soaked it all up!

So, of course I went to see Moana as soon as it was released, on Wednesday November 23rd. Thanksgiving eve. My wife, son and I donned our 3D glasses as we found our seats in the surprisingly uncrowded theatre. I had to post the event as a check-in on my Facebook page, because, well, this was a big deal. To me.

Now, for full disclosure, we don’t go out to the movies much. I usually prefer to wait for a movie to come out on DVD or Blu-Ray and watch it from the comfort of home. But this was different. I needed to experience Moana on a big movie screen, in 3D, with full theatre sound. I was not disappointed. I love this movie. A lot.

Moana was transformational for me. I’ll leave the reviewing for others (here’s a good one if you’re interested: #PopCulturePundit), but let me just say this was one amazing movie! I found myself getting choked up as the movie ended, with full-blown tears streaming down my cheeks. It’s a little embarrassing to have my 11-year old son see my crying, but I couldn’t help myself, it was very emotional. There was a happy ending, of course, but the message this movie sends you is much more than that.

Moana is a strong female character I would be proud for my daughters to emulate. She’s headstrong for sure, but respects her elders and loves nature. Moana’ attraction to the sea is central to the movie, and her rediscovery of her Polynesian ancestors’ wayfinding skills is key to resolving the plot of the movie.

After I watched this movie for the first time, I rediscovered a modern-day, real-life voyage I had only casually followed previously: the Mālama Honua worldwide voyage of Hōkūle’a. I was originally attracted to the story of this group of explorers because of my love of all things Polynesian, and I followed them on Facebook without really understanding what they were all about. After seeing Moana, I felt inspired to understand Mālama Honua in more depth, and my eyes were really opened. Their mission is to sail the world and find examples of people helping each other and the environment, with the common thread being the ocean that connects us all. What a beautiful idea, come to life! I had to support and share this message with my Facebook family. I hope you will check it out too.

So, apparently art does imitate life. Moana, as it turns out, is based on some actual Polynesian legends, and is pretty faithful to the stories of Polynesian people. Disney has crafted a masterpiece with this movie, and if it could raise the environmental consciousness of at least one person, than it has told a wonderful story indeed. I’ve already gone to see it again, this time with my mother-in-law. It was her turn to see me cry. Oh, well, I’m not ashamed to show my joy and love for Moana. Go see this movie.

The Wide, Wild World of Tiki.

Tiki does not exist in a vacuum. It was born out of the need for escape, and it both feeds and is fed by that need.

I can trace the roots of Tiki culture back at least to the 1890s, when Paul Gaugin left France for Polynesia, looking to escape the constraints of Impressionist painting in search of a more primitive lifestyle to feed his art. The Hawai’ian music craze of the 1920s in America further fueled our desire for a world of faraway ocean breezes and swaying palm trees. The 1930s saw the invention of the Tiki drink and the nautical flotsam and jetsam-themed bars of Don The Beachcomber. In the 1940s Trader Vic’s upped the ante with full-blown Polynesian restaurants and the creation of the greatest Tiki drink of all: the Mai-Tai. The 1950s brought the return of American GIs from the Pacific Theatre of WWII and the rise of backyard luaus and basement Tiki bars. Tiki culture peaked with the admission of Hawai’i as the 50th state in 1959.

In the Mid-1960s, it all started falling apart. The Summer of Love ushered in the drug and hippie culture. America had a new means of escape, as the children of the Tiki culture banished their parents’ artificial paradise in favor of a more natural (albeit drug-fueled) release. This back-to-nature movement continued through the 1970s.

Another culture sprung up in the late 1970s to add insult to Tiki’s injury. Jimmy Buffet introduced Margaritaville, moving the tropical escape to the Caribbean and creating a more-accessible and dumbed-down version of Tiki to the world. Well-crafted cocktails were replaced with alcoholic slushies. Hawai’ian and Exotica music faded to catchy tunes about boat drinks and cheeseburgers in paradise. Carved Tikis and authentic nautical decor gave way to parrots and brightly-colored party decorations. It was enough to make Donn Beach roll over in his grave!

The 1990s saw the beginning of the resurgence of Tiki culture. Like-minded enthusiasts, brought together by the rise of the Internet, resurrected the lost civilization from Mid-Century America in all of its artificial glory. Today, Tiki bars are opening with well-crafted cocktails made from rescued recipes. Basements are once again adorned with authentic nautical decor, lowbrow artwork, and real Tikis painstakingly carved by modern-day savages. New Exotica bands have brought back the music that was the soundtrack to the original Tiki craze.

It is here that I should introduce the concept of the Tiki purist. Many of the folks who helped bring Tiki back are very protective of their work, and with good reason. We don’t want to see this wonderful escape relegated to the ash heap of history again. As Tiki gains in popularity, it runs the risk of jumping the shark and being watered down, like Margaritaville. This is why the tight-knit Tiki ohana tends to be wary of newcomers to the scene, until they can be vetted for their “Tiki cred.”

I am not a Tiki purist. Although I’ve been descending slowly down this rabbit hole for over 10 years now, I still value the eclectic nature of my journey. A. Panda’s Tiki Lounge has many of the purist Tiki elements I value most, like carved Tikis, bac-bac matting, bamboo, and cool artwork. I also mix up some pretty authentic Tiki drinks using many different rums and fresh ingredients. However, I’m not above mixing in atypical items to my Tiki space, like pink flamingos, a few tacky decorations, and of course the ubiquitous pandas! If my mother-in-law cross-stitches a sign for me that says “It’s 5 O’clock Somewhere”on it, then I display it proudly at the bar.

I belong to several Facebook groups devoted to Tiki ephemera like SHAG’s art, cocktails, exotica music, and home Tiki bar builds. Some of these groups are led by pretty hardcore purists, and that’s okay. I still enjoy being a part of these groups, but I’ve learned through a few intense but civil interactions that folks take their Tiki pretty seriously. It’s all good, as I can appreciate wanting to preserve the traditional elements that made Tiki great the first time around. I just hope that the newfound popularity of Tiki doesn’t lead to its second downfall. That would be ironic, don’tcha think?

Tiki has always been, and continues to be, an escape. It’s not the only game in town. But to Tiki enthusiasts, both purists and serious newcomers, I believe it’s the best. For an artificial creation to become such an all-encompassing passion, through music, art, drink, and decor, it could only happen in America. Happy Independence Day, mahalo and okole maluna!

A Small Collection

Tiki mugs are addictive. At least, they are for me. It all started with a nice score on eBay, and since my first Tiki mug purchase, I’ve gone on to collect a few more. I’m now out of room in the shelf I built just 6 months ago, which means I should probably stop buying Tiki mugs. Or build another shelf in A. Panda’s Tiki Lounge. 😎

As I marvel at the small collection of Tiki mugs I’ve amassed in just a few short years, it dawned on me: these works of art are mileposts along my Tiki journey. I will now recreate that journey for you, with pictures to prove it. Here we go.

The Kahiki Polynesian Supper Club, Columbus OH. As mentioned before, I found this gem on eBay, at a pretty reasonable price. There were many Tiki mugs sold at The Kahiki, so it isn’t particularly rare, but I had just begun researching this now-extinct Tiki temple and had a trio of “worlds colliding” moments (see Whenceforth A. Panda’s Tiki Lounge) when I found this mug. It was the start of a new addiction.

The Mai-Kai Restaurant and Polynesian Show, Fort Lauderdale FL. As my research into Tiki temples continued, I learned of the granddaddy of them all, The Mai-Kai. Founded in 1956 by two brothers from Chicago, this is the oldest and best Polynesian supper club in the world. My wife Jessica and I took a long weekend trip to Fort Lauderdale a couple of years ago (see Aloha Spirit: The Mai-Kai) so I could see this Tiki Mecca for myself. We spent many hours in this beautiful place, walking through the gardens, checking out the amazing Polynesian dance show, and knocking back a few libations in The Molokai Lounge. The tall Tiki mug came with my first Mai-Tai, and the rum barrel came from the gift shop. Good times, and I would return later for The Hukilau.

Disneyland’s Enchanted Tiki Room and Trader Sam’s, Anaheim CA. In 2013, Jess and I hit the road again, this time to California for the 50th anniversary celebration of The Enchanted Tiki Room (see Aloha Spirit: Los Angeles). We spent a couple of sessions in the new Trader Sam’s, where my favorite drink was the Krakatoa. It came with a cool animated show in the bar and this spiffy, lava-dripping Tiki mug. I also picked up this amazing Pele mug by Kevin Kidney at the Enchanted Tiki Room festivities, where I also scored some cool SHAG swag from the man himself. It was a memorable trip that contributed a lot of pieces to the Tiki Lounge.

The Hukilau, Fort Lauderdale FL. In 2014, I left Jessica at home and met my buddy Bruce at The Hukilau, the East Coast’s biggest Tiki weekender event (see The Hukilau: Day 1). 4 days of hanging out with like-minded Tiki geeks led to many new friendships and 2 cool new Tiki mugs: an orange coconut mug and a Marquesian cannibal mug by Eekum Bookum. Tasty.

Tiki Pop, Paris France. Sven Kirsten is the godfather of the modern Tiki movement (see Tiki Ohana: Builders). His newest book, Tiki Pop, was the companion book to the expo he had in Paris in 2014, Tiki Pop : L’Amérique rêve son paradis polynésien, at the musée du quai Branly. I gladly scooped up this tome and the Tiki Bob mug that came with it. Both are displayed proudly in the Tiki Lounge.

Three Dots and a Dash, Chicago IL. Last year, for my 50th birthday, the family took a road trip to Chicago. We spent time visiting my buddy Bruce, who lives in Lincoln Park, and he surprised me with a gift of this cool Tiki mug from Psycho Suzi’s Motor Lounge in Minneapolis MN. After a wonderful dinner at David Burke’s Primehouse, Jess took the kids back to the hotel and Bruce and I headed to Three Dots and a Dash for some Tiki drinks. While there, I picked up this gorgeous seahorse bowl designed by Baï of Paris. This is the most beautiful piece of Tiki art I own! It would inspire me to get another Tiki mug from Baï later.

Hawaii Kai, New York NY. When we returned from Chicago, my mother-in-law Phyllis surprised me with a gift of this cool bamboo Tiki mug. She got it on her honeymoon in NYC, at the now-defunct Hawaii Kai, Manhattan’s most famous Polynesian supper club. This is the rarest Tiki mug in my collection. Mahalo, Phyllis!

Tiki Lounge, Pittsburgh PA. Last year, we attended the first annual Wildwood Vintage Tiki Weekender in Wildwood NJ (see Wildwood Weekend), organized by my friend Beth Lennon of Retro Roadmap. I made a lot of new friends at the beach that weekend, including Paul Matarrese from Pittsburgh. During a room crawl / swap fest, I bartered one of my music compilations for this cool Tiki mug Paul brought along. The matchbook was a nice throw-in.

Tiki Farm, San Clemente CA. Tiki Farm is one of the most popular purveyors of Polynesian pop culture around. They’ve created many Tiki mugs during the current Tiki revival, and just celebrated their 15th anniversary with this beautiful mug by Doug Horne. The mug comes with a cast-in spear holder in the back to hold a cool orange spear swizzle stick.

Trader Sam’s Grog Grotto at The Polynesian Village, Orlando FL. On a quick trip to Orlando for a work sales conference last month, we made a quick stop in my happy place, The Polynesian. When we were there for our last family vacation, Trader Sam’s was still under construction. It’s now open for business! I met my newest Tiki friend, George Borcherding, for some Dole Whips and a couple of Tiki drinks. Our first drink was the Uh-Oa, which came in this cool bowl. I now have 2 Tiki mugs from Trader Sam’s, one from each coast.

Ku by Baï, Paris France. Ku is the Hawai’ian God of War. This is my 2nd Tiki mug designed by Baï, but this one I got directly from her. Whereas the Three Dots and a Dash seahorse bowl is my most beautiful Tiki mug, Ku is my most detailed and substantial Tiki mug. I really love Baï Tiki’s work – it’s stunning!

So there you have it. These are my prized possessions: Tiki mugs collected along many stops of my Tiki journey. But these aren’t the only Tiki mugs I own. My friends have a habit of thinking of me during their travels, and pick up little Tiki trinkets to bring home as gifts to me. Some of these gifts are Tiki mugs. Nondescript but cool, I haven’t been able to identify their origins, but I display them around A. Panda’s Tiki Lounge nonetheless. Here are a few final pictures of these beauties in action. If anybody recognizes any of these Tiki mugs, please let me know. Aloha!

Tiki Ohana – Performers

All the world’s a stage, and Tiki is no exception. To wrap up this series on the Tiki ohana, I’m going off script a bit to highlight both groups and individuals who entertain us. Hell, one of the groups isn’t even human! No matter. All of these folks have created a legacy of keeping the Tiki torch alive through song, dance, fire, water, food, drink, and great service. Mahalo to you all!

MeduSirena Marina. Mermaids are real. This one not only beguiles the Tiki ohana with her underwater maneuvers; she also eats fire, dances as a space-alien slave girl, and is a budding photographer. Marina Anderson, a/k/a MeduSirena Marina, has been holding court at the Wreck Bar in Fort Lauderdale’s Yankee Clipper hotel since 1989. She and her pod of aquaticats have also taken their show on the road, performing internationally wherever a pool with a porthole view has called them. Marina has single-handedly revived this art form from the Mid-Century, and pays tribute to the mermaids who came before her with an amazing show. I was fortunate enough to catch her act last year during The Hukilau, and observed all the behind-the-scenes work that goes into her show. Okole maluna, Marina!

King Kukulele. Denny Moynahan plays the ukelele. But he does so much more! Under his stage name, King Kukelele, he has performed all over the world, entertaining audiences with his mix of music, comedy, and storytelling, all while wearing his Hawaiian straw hat and grass skirt. King Kukelele is a staple at Tiki events like Tiki Oasis and The Hukilau, where I caught his show in-person for the first time last year. I also enjoy his music on CD, which you can check out here: King Kukelele and the Friki Tikis. Mahalo, King Kukelele!

Mai-Kai Restaurant and Polynesian Show. There is no greater example of Polynesian culture, outside of the Pacific Ocean, than The Mai-Kai. Opened in Fort Lauderdale FL in 1956, The Mai-Kai is still going strong with their combination of tasty food, authentic Tiki drinks in their Molokai Lounge, ubiquitous Tiki decor (both inside and in their lush outdoor gardens), and the best Polynesian song and dance review I’ve ever seen. I first visited this Tiki Mecca 3 years ago, then returned last year during The Hukilau, which was quite the eventful trip for me! I would highly recommend a visit to The Mai-Kai for anybody who wants to learn what Tiki is all about. Aloha!

Walt Disney’s Enchanted Tiki Room. This amazing attraction has been entertaining visitors to Disneyland in Anaheim CA since 1963. I first enjoyed this show at Walt Disney World in Orlando FL in 2008, but I was fortunate to see the original during its 50th anniversary celebration 2 years ago. The amazing animatronic display must have been a revelation to visitors fifty years ago! It still enchants the Tiki ohana to this day. I particularly like the courtyard area at the Disneyland Enchanted Tiki Room, where seven Tiki gods tell their stories and Dole Whips are available for purchase. Yum, Dole Whip 🙂 Mahalo, Walt Disney and your wonderful Imagineers!

Walt Disney World’s Polynesian Village Resort. No place offers a more complete immersion into Tiki paradise than this, my happy place. The Polynesian Village Resort opened with the rest of the original Walt Disney World in Orlando FL in 1971. Disney calls their employees “Cast Memebers,” and at The Polynesian, that’s really appropriate! From the minute you pass the sign at the entrance, every person greets you with a warm “aloha” and smile. The buildings are all authentically Polynesian, the amenities are cozy, the food is fantastic, and the Tiki drinks are fist-rate. We’ve been to Walt Disney World for five family vacations (so far), and I would never dream of staying anywhere else. Until we meet again, Auntie Kaui and the rest of the cast members, aloha!

For more detailed reporting on these performers, please check out my previous blog posts:

Disney – Keeping The Tiki Torch Lit

The Hukilau – The Hukilau: Day1

The Polynesian – WDW Polynesian Village Day1

Tiki Ohana – Musicians

The Tiki lifestyle has a soundtrack, which is evocative of both the time and place of its birth. Tiki music, to me, is a blend of equal parts Exotica, Lounge, Surf, Hawaiian/Polynesian, and Space-Age Bachelor Pad. I wrote about this at length in my blog post, Galaxy of Sound, which prompted an entire series covering each of these genres. These current musicians embody the Tiki sound, as it was yesterday and continues today.

Brian Mr. Ho O’Neill. Brian O’Neill of Boston MA single-handedly resuscitated the Space-Age Bachelor Pad music of Juan Garcia Esquivel. Well, actually, he did it with a 23-piece band, but Brian was the driving force behind Mr. Ho’s Orchestrotica. I was fortunate enough to convince the folks at ArtsQuest in Bethlehem PA to bring Mr. Ho’s Orchestrotica here for a concert a few years ago, as part of the Luau at The Levitt event. What a great show! Mr. Ho has now also released a few albums by his Exotica quartet, which you can check out here: Orchestrotica.com. Aloha, Brian!

Jay Brooks. Clouseaux is the creation of Jay Brooks in Houston TX. This band plays a diverse mix of Exotica/Lounge/Spy music that’s evocative of Henry Mancini’s great soundtracks from the 1950s/60s/70s. Check out their music here: Clouseaux.com. In his spare time, Jay also carves Tikis and is El Presidente at Aloha Texas Tiki Co., supplier of home decor for the Tiki enthusiast. Gracias, Jay!

Tony Marsico. The Martini Kings are the #1 live event band in Los Angeles. They’ve played shows for A-list celebrities in major venues, art gallery openings, Tiki events, and backyard cocktail parties. Tony Marsico and his brother Frank have been playing cool lounge music for years, often with guest singers like Kate Campbell and King Paris. Grab yourself a Martini Kings album and start the party here: MartiniKings.com. Sophisticated swing, Tony!

Randy Wong. The Waitiki 7 is an Exotica combo from Hawaii led by the rhythm section of basis Randy Wong, percussionist Lopaka Colon, and drummer Abe Lagrimas Jr. Firmly rooted in Hawaii, Randy and the group evoke the Exotica masters of Martin Denny and Arthur Lyman. Colon’s father, Augie, was the percussionist for Martin Denny and originated many of the bird and animal calls made famous in Denny’s Exotica music; Lopaka carries on that tradition in Waitiki 7. Check it out for yourself: New Sounds of Exotica. Mahalo, Randy!

Stephen Greaves. First The SG Sound, then Jet Set Unlimited. Stephen Greaves of Los Angeles CA makes a lot of sound for one person, and that sound captures the 1960s perfectly. A little Surf, a little Exotica, and a whole lot of Space-Age Bachelor Pad. Think Mad Men and you’ll get the idea. Take a listen: Jet Set Unlimited. Groovy, Stephen!

Gary Evans. One of the best Surf bands I’ve heard in a long time is The Intoxicators!, led by Gary Evans from Tallahassee FL. I saw them play live last year at The Hukilau, along with another cool Surf band, The Disasternauts, which were mostly the same guys dressed as apes in orange NASA jumpsuits. The common denominator was Gary’s guitar playing, which was, fast, tight, and loud! I hope to see them play again someday, but in the mean time, we can check them out here: Intoxicators. Cowabunga, Gary!

Russell Mofsky. Another band I saw live at The Hukilau was Gold Dust Lounge, led by Russell Mofsky from Miami FL. I thought they were another Surf band when they first started playing, but I was wrong. The best way to describe Gold Dust Lounge is Exotica/World, with elements of Surf, Spy and Soundtrack music mixed in. Russell’s guitar playing is hypnotic, as evidenced in the song Ensenada, which blows me away every time I hear it. Well done, Russell.

John Tiki Bartley. Five-Eaux is the cleverly-named creation of Jon Tiki, a/k/a John Bartley of St. Louis MO. Surf music is alive and well in the Heartland, and Jon Tiki’s music goes beyond pure Surf, delving into Lounge, Spy, and Soundtracks as well. Here’s a recent song he recreated: Pintor. He was also kind enough to write the theme music for my Podcast, A. Panda’s Tiki Lounge; it sounds like The Pink Panther meets Dick Dale, and it’s wonderful! Thank you, Jon Tiki.

Tiki Ohana – Craftsmen

One of the most important aspects of Tiki culture’s popularity is the physical image of Tiki and his tropical paradise. This image has been popularized through carved statues, mugs, bamboo decor, and many other manifestations of the Tiki lifestyle. Just about every Tiki temple, from the elaborate Polynesian supper club to the basement Tiki bar (like mine), owes its inspiration and/or physical construction to these members of the Tiki ohana. (I’ve already spoken about Oceanic Arts at length in other posts and in the Tiki Ohana – Builders post, though they certainly belong here as well.)

Bamboo Ben Bassham. The name says it all: Bamboo Ben is the king of all things bamboo. He has made just about everything out of this tropical grass: masks, lamps, purses, shelves, furniture, ceilings, bars, sheds, you name it, he’s done it, or will do it. Bamboo Ben just helped Suzanne Long outfit her new bar, Longitude, in Oakland. Although he’s based in Huntingdon CA, I hope to bring him out east to finish the ceiling here in the Tiki Lounge. Aloha, Bamboo Ben!

Crazy Al Tikimania Evans. A picture’s worth a thousand words: Al Evans is crazy – for Tiki. He seems to be everywhere there’s a Tiki event going on. Crazy Al is an expert Tiki carver, and he’s an accomplished designer of Tiki mugs as well. I met him at The Hukilau in Fort Lauderdale last year, where he was testing out his latest creation: a Tiki mug modeled after the Molokai Maiden masthead found at The Mai-Kai. That is, when he wasn’t joining MeduSirena Marina’s pod of mermaids, as a merman, swimming at the Wreck Bar as part of the show. Crazy, Al!

Jeff Chouinard. Another guy I met at the Hukilau last year was Jeff Chouinard. We were both at happy hour at the Mai-Kai’s Molokai Lounge and were talking to the same Tiki enthusiasts, throwing back a few drinks. I had no idea who Jeff was, but we exchanged stickers and went on our merry way. I then got to know him through Facebook and discovered what an amazing Tiki carver he is! In addition to giving one of his Tikis to the Mai-Kai, Jeff has also made a mark in his native Tampa FL, terrorizing the place by turning dead palm trees into beautiful Tikis all over town. Read all about it in CL Tampa. I hope to own on of his Tikis someday. Surf Soul Tiki, Jeff Chouinard.

Daniel Gallardo. Perhaps nobody is as ubiquitous in the Tiki ohana as Daniel Gallardo, a/k/a Tiki Diablo. An expert carver, he’s really made a name for himself creating Tiki mugs for special events and places. The Hukilau, The Tonga Hut, The Mai-Kai, Tiki Ti, and Latitude 29 are just a few of the Tiki mugs supplied by Tiki Diablo. Mahalo, Daniel!

Baï Tiki. Craftsmen is a misnomer in the case of this lovely lady from Paris France. Baï Tiki is an accomplished crafter of Tiki mugs, including an amazing seahorse Tiki bowl for Three Dots and a Dash in Chicago. Who says the French don’t know Tiki? Who do you think discovered most of Polynesia, anyway? Merci, Baï!

Tiki Ohana – Cocktails

The Tiki craze of the 1950s was preceded by the Tiki cocktail movement started in the 1930s by Don The Beachcomber. Ernest Raymond Beaumont Gantt grew up in New Orleans, traveled the Caribbean where he collected rum-based drink recipes, settled in Los Angeles, dressed up his drinks with flowers and umbrellas and fancy tropical names, and changed his name to Don The Beachcomber (and eventually just Donn Beach). He opened his first restaurant and bar in Hollywood in 1933 and was a huge success, thanks in large part to his celebrity clientele.

The success of Don The Beachcomber led to a string of Tiki-themed restaurants. While Donn Beach opened new locations, imitators like Victor Bergeron with his Trader Vic’s and Stephen Crane with his Kon Tiki chain helped popularize the Tiki bar/restaurant across the country. This popularity peaked in the 1950s and 1960s, and like the rest of the Tiki movement, started to decline in the 1970s and 1980s. Most of these Tiki establishments are gone today, and their wonderful drink recipes might have been lost forever, were it not for the efforts of…

Jeff Beachbum Berry. This guy, along with Sven Kirsten, is the most important figure in the current Tiki revival. Bum has been researching Tiki drink recipes for over 30 years, and his Potions of The Caribbean is the Bible for Tiki drink recipes and their history (get it here: beachbumberry.com/bum-books/). Like Donn Beach before him, Bum now calls New Orleans home, and he just opened his first Tiki bar there last fall, Latitude 29. It is a must-do Tiki temple! I was fortunate to visit Latitude 29 earlier this year, and Beachbum Berry himself welcomed me and even gave me an interview while I was there. You can hear it on my podcast: apandatikipod.podbean.com/e/pandas-tasty-jambalaya. Mahalo, Bum!

Martin Cate. Few people, if anybody, have had a bigger influence on elevating the profile of rum than Martin Cate. He opened his Smuggler’s Cove bar in San Francisco in 2009 to much acclaim, both locally and nationally. Smuggler’s Cove is the physical embodiment of Beachbum Berry’s Potions of The Caribbean, focusing on “Traditional drinks of the Caribbean islands, classic libations of Prohibition-era Havana, and exotic cocktails from legendary Tiki bars.” All of this is served up in a bar with the most authentic Tiki decor you’ll find anywhere. You can find more about the story of Smuggler’s Cove here: smugglerscovesf.com/about/. Okole maluna, Martin!

Suzanne Long. Across the bay in Oakland, Suzanne Long opened her new Tiki bar, Longitude, in 2014. Along with a mix of traditional and modern rum-based cocktails, Longitude features a stunning interior that evokes a spirit of adventure. Ms. Long didn’t limit herself to a strictly Polynesian theme, instead incorporating a whole world of tropical decor including artwork from east Africa. You can read a great review of Longitude here: insidescoopsf.sfgate.com. Full disclosure: I haven’t been to any of the Bay Area Tiki bars, but when I do visit, I’ll make sure to start with Smuggler’s Cove and Longitude. Aloha Suzanne, I hope to see you soon!

Paul McGee. Another Tiki bar I have been fortunate enough to visit is Three Dots and a Dash in Chicago, created by Paul McGee in 2013. I wrote about my first visit here in my blog post Aloha Spirit: Chicago (Jan 2014). Creating a Tiki mecca in the Midwest isn’t without precedent (think The Kahiki in Columbus OH), but Mr. McGee managed to create a Polynesian paradise in a speakeasy-like atmosphere, right in The Loop in downtown Chicago. Not to rest on his laurels, Paul left his baby earlier this year to open a new Tiki bar, Lost Lake, in the western Chicagoland neighborhood of Logan Square. You can read about how McGee partnered with Martin Cate on Lost Lake here: www.chicagotribune.com. Well done, Tiki titans!

Tiki Ohana – Chroniclers

The Tiki resurrection that began in the 1990s was effected by people getting together to share their love of Polynesian pop. It was a rediscovery of Mid-Century Modern American culture that was all but forgotten by the 1970s and 1980s. Thanks to Otto Von Stroheim’s Tiki News (1995) and Sven Kirsten’s The Book of Tiki (2000), this lost era was now back in print for the Tiki tribe to enjoy. These chroniclers of the movement took Tiki to the next level.

Hanford Lemoore (Tiki Central). Tiki Central is the internet’s first and biggest bulletin board for Tiki enthusiasts. Since 2000, Hanford Lemoore has presided over a virtual universe of like-minded people sharing their love of Mid-Century Modern, Polynesian-inspired things. News, events, art, food and drink, music, collectibles, Tiki bars, and much more. If you need to find anything in the world of Tiki, you can find it here: www.tikiroom.com.

Nick Camara (Tiki Magazine). It wasn’t the first printed magazine devoted to Tiki, but Tiki Magazine debuted in 2005 and has been going strong ever since. Nick Camara’s labor of love has always featured full-color spreads on topics of interest to the Tiki ohana, and covers by artists like Derek Yaniger and SHAG. Tiki Magazine has just been revitalized to now include a broader range of topics from the Mid-Century Modern era. You can subscribe here: www.tikimagazine.com.

Koop Kooper (Cocktail Nation). For the best in retro and modern lounge and exotica music, you must check out Koop Kooper’s syndicated radio show and podcast, Cocktail Nation. The lounge lothario and high priest of all things hep, swinging and swank, Koop Kooper has been collecting and playing lounge music from his penthouse in Sydney, Australia since 2007. His show also includes interviews with some of the biggest movers and shakers in the Lounge, Exotica and Tiki scenes, and he’s published two books of those interviews. You can listen to the man from Down Under here: www.cocktailnation.net.

Jim Hayward (The Atomic Grog). There are many blogs dedicated to the Tiki scene, but The Atomic Grog is my favorite. Jim Hayward has been publishing this blog from his South Florida home since 2011, and he often is the first to scoop everybody with new happenings in the world of Tiki art, music, and cocktails. He has also hosted many in-depth interviews with the titans of the Tiki ohana. Don’t just take it from me; check it out for yourself: www.slammie.com/atomic grog/blog.

Steve Seifert (Tikiman Pages). For a very specific slice of Tiki culture, try a taste of Steve Seifert’s Tikiman Pages, an unofficial website devoted to Walt Disney World’s Polynesian Village Resort. The Polynesian is my happy place and one of the Tiki temples I’ve previously written about (Tiki Temples, Oct 2014). For this reason, Tikiman Steve’s website and Facebook page hold a place close to my heart. He really has a comprehensive pulse on the past, present and future of this wonderful place, and has been sharing his knowledge with the world since 1999. You can see what Steve has to say here: www.tikimanpages.com.

WDW Polynesian Village Day 8

Saturday is our last full day at WDW. We’ve done everything we wanted to do on this vacation, so now we go back and revisit some of our favorite spots and catch up on some shopping. We spent the morning at Hollywood Studios and the afternoon at Animal Kingdom with dinner at the Yak & Yeti. In between, we came back to the Polynesian for lunch at Captain Cook’s and a dip in the East Pool. Or, as most people refer to it: the Quiet Pool.

I’m sure some people have avoided staying at the Polynesian because their main pool, the Volcano Pool, is closed for renovation. I don’t know what the finished product will look like, but it sure is torn up right now. No matter to me and my family, because we have always preferred the Quiet Pool.

We’ve been to the Quiet Pool 3 times during this vacation. The first time was Monday night around 7:30pm, the first day it was warm enough to swim. There was 1 other person in the pool. The second time was on Wednesday at around 2pm, and there were maybe 6 people in the pool with us. The third time was today at 1pm, and we had the pool to ourselves until 5 minutes before we left, when 1 kid slowly dipped in.

Talk about a great time to be at the Polynesian if you like the pool! With the Volcano Pool closed, Disney is doing their best to make the Quiet Pool more enjoyable. There are 2 lifeguards there at all times, where before it was swim at your own risk. They also placed 3 cast members in brightly-colored outfits poolside with loud music and games, trying to have a pool party during the daytime. They didn’t have many takers. The attempted pool party was the only thing keeping our pool from being “quiet.” Frankly, I liked the way it was before, but, if anything, it’s even less crowded now. Unless you really liked spending time playing in the Volcano Pool, the fact that it’s closed is no reason to avoid the Polynesian Village Resort. Quite the contrary!

Well, tomorrow is our getaway day, so this will be my final report for this trip. I want to thank all of my new readers for checking out my blog, and a big mahalo to everybody who has supported me since day 1, about 1 year ago. I hope you’ll all keep reading my posts, as I typically write something every two weeks on the world of Tiki. Until then, aloha!

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