Ohana Means Community

Last weekend, I ran into an old friend at a concert. I know George Mowrer from the church we used to attend together and from some men’s retreats we enjoyed. Lately I’ve lost my desire for organized religion, so I hadn’t seen George for a while. He asked me if I had found another church, and I told him no, that I was giving that a break for now.

George and I are Facebook friends, so he knows of my Tiki obsession. When George asked me what I was doing to be in community, I told him my Tiki ohana was my community. He asked me to explain that to him, and I tried the best I could before the concert started and we shifted our focus to the music. I’m afraid my explanation must have been pretty disjointed. I will try to explain it better now, so if you’re reading this, George, this is for you.

My Tiki ohana is both real and virtual. I’ve written at length about the many aspects of it (Who’s Who In The Tiki Ohana): artists, builders, chroniclers, musicians, mixologists. I’ll now talk about some of the specific people I’ve gotten to know well, some in person, some virtually. I feel blessed to know these folks, as they truly make up a wonderful community for me.

Beth Lennon. A/K/A Mod Betty, Beth is the creator of Retro Roadmap, a really cool website devoted to spotlighting vintage and retro places across the country with the hope of preserving them. Years ago, Beth came across my A. Panda’s Tiki Lounge page and reached out to me to talk about Tiki. She noticed that there was an interconnect between my world of Tiki and her world of Mid-Century Modern, one that we’ve explored ever since. I invited Beth to come up to Bethlehem so I could show her Steel Stacks; she and her husband Cliff Hillis both came up and we immediately hit it off! Cliff is a musician, a singer-songwriter who is very busy in the Philly music scene. He brought me a copy of one of his CDs as a gift, and I gave Beth a SHAG art postcard that reminded me of her.

Over the years, we’ve crossed paths on many occasions. Beth came back to Bethlehem for a Mr. Ho’s Orchestrotica concert I helped organize at Steel Stacks; I spent time with Beth and Cliff at The Hukilau in Fort Lauderdale; and I helped Beth organize a Tiki weekender in Wildwood NJ, the MCM/Doo-Wop capital of the East Coast. It was at this Wildwood event that I met many people I’ve gotten to know in the local Tiki ohana, folks like Robin Cammarota-Nicholson and Michael Hirsch.

Michael Hirsch. Michael lives in New York City, but his parents live in Allentown, so he comes to my neck of the woods often. Michael has been to my Tiki Lounge a few times. He is an architect by trade, and he is passionate about historical preservation, having written a book on Doo-Wop architecture. Michael organized a tour of historically significant landmarks in Wildwood during Mod Betty’s Tiki Weekend. He also is involved with the Society for Commercial Archeology and brought a few of his SCA friends to the Tiki Lounge the last time he visited.

I’ve seen Michael in other places besides Wildwood and Bethlehem. He and I broke bread together at another Retro Roadmap event at the Village Diner in upstate New York, where I also met his parents, Anita and Syman. It turns out the synagogue they attend is literally across the street from my house! Michael also met my friend Bruce and me at The Polynesian, an upscale new Tiki bar in Manhattan.

Robin Cammarota-Nicholson. Robin is another New York City resident I first met at the Wildwood Tiki Weekend. She and her husband Ken live in Yonkers, but Robin travels the world in her job with the American Council on Germany. Everywhere she goes, Robin searchesm out Tiki hotspots to try out. Although I haven’t seen her as often as I’ve seen Michael, I did run into Robin at a Surf Music weekend in Asbury Park NJ and at a pop-up Tiki bar at Boilermaker NYC, where the bar was taken over by Tiki mixologist extraordinaire and historian, Jeff “Beachbum” Berry.

Jeffrey Berry. Jeff “Beachbum” Berry is one of the most influential people in the Tiki revival movement which began in the 1990s. He has published multiple books on Tiki cocktail recipes and history, travels the world as a Tiki drink ambassador, and opened his own restaurant and Tiki bar, Latitude 29, in New Orleans. I first met Jeff at The Hukilau in Fort Lauderdale, where I attended his symposium on the dark days of Tiki drinks in the 1970s. I found him to be personable and kind, with no ego, as he spent time talking with me as if I was the only person there.

The next time I met The Bum, he took his generosity of spirit a step further. My sister Anita and I visited Latitude 29 while in New Orleans on some family business. Jeff agreed to do an interview with me for my podcast before we sat down for dinner. He was articulate, genuine, and a wonderful historian during our talk (you can check out this interview in my podcast episode here: Panda’s Tasty Jambalaya). During dinner, Beachbum Berry came to our table and shared a new drink he was working on with us, asking our opinion on it. What a nice gesture from a great guy! I consider it an honor to know Jeff Berry personally, as he is the most accessible and humble of the Tiki titans. Mahalo, Bum.

Steve Seifert. My wife Jess first introduced me to “Tikiman” Steve Seifert, who created a wonderful website dedicated to WDW’s Polynesian Village Resort: Tikiman Pages. Our family are Disney junkies, and The Polynesian is my happy place. Jess began following Tikiman’s website and Facebook page to keep up to date on all things Poly, which helped us better plan our vacations there.

Over the years, Tikiman has asked his followers to contribute to his website, whenever he knew somebody was at The Polynesian and he was looking for on-the-ground reporting. I helped Steve out when our family was on vacation there in 2014. In return, he helped publicize my blog posts through his audience, as I was blogging daily durning our stay (WDW Polynesian Day 1) and Tikiman’s followers took my readership into 5 digits!

A few years later, Tikiman decided to host a get-together for Tiki friends at the Trader Sam’s Grog Grotto in The Polynesian Village. It was really cool to meet him in person, along with seeing other members of the Tiki ohana like Jim Hayward, Scott Deeter, George Borcherding, and Kevin-John Jobczynski.

Kevin-john Jobczynski. I’ve gotten to know and appreciate a lot of Tiki artists over the years (Tiki Ohana: Artists, Tiki Ohana: Artists, Part Deux), but I’ve only actually met a very few of them. Josh Agle was the first, and I’ve documented my interactions with him before (Stalking SHAG). One of my current favorite artists is Kevin-john Jobczynski, who has become somewhat famous as a Disney Master Artist.

I was fortunate to meet KJ at Tikiman’s gathering at Trader Sam’s, where he debuted a new art print created especially for the event. I had previously purchased a piece from him entitled Mai-Tai Sunset, which was one of KJ’s earliest Tiki-specific pieces of art. How cool that he printed it on a piece of driftwood with a bamboo frame and rattan matting! This print, along with several other Kevin-john works, hangs proudly in the Tiki Lounge.

George Borcherding. Like me, George Borcherding is a huge fan of Tiki. I first got to know him via our online interactions, but I have now spent enough time with George in-person to consider him a true friend. All of our meetings have taken place at The Polynesian, which certainly isn’t a bad place to meet. A Dole Whip and a Captain’s Mai-Tai are great reasons to get together!

 

 

 

 

 

 

George, like me, has his own home Tiki bar, which he puts a lot of work into making special. I’ve never been to Nui Keoki’s Enchanted Grotto, but I enjoy following along on his Facebook page to see the latest and the greatest in Tiki decor. I believe he feels the same way about A. Panda’s Tiki Lounge.

One of these days, I will visit George in Jacksonville FL, and I’m sure he will come to Bethlehem PA too. For now, we have many memories we’ve made together at The Polynesian, from the time we met with many of our Tiki ohana at Tikiman Steve’s event, and the time we were a couple of non-Polynesian gringos crashing Auntie Kaui’s birthday celebration in Luau Cove, to just chilling out at the Tambu Lounge sipping on Mai-Tais made by Walter. And we’ll never forget being served by Skipper Natalie at Trader Sam’s, which was sadly the last time we saw her before she tragically passed away at too young an age. Okole mauna, Natalie, and mahalo, Bruddah George, for being a good friend and a big part of my Tiki community.

Moana

I had a feeling about this movie. We’ve known for over 2 years that Disney was working on a new, animated, feature-length film with a Polynesian theme. This was good news, as Disney has been a strong player in the Tiki ohana (see Keeping The Tiki Torch Lit).

The last 2 years have been filled with anticipation as the Disney marketing machine built up to the eventual release of Moana this Thanksgiving weekend. There were news releases when they picked the cast. There were previews, which we Tiki geeks faithfully promoted on our Facebook pages. There was the merchandise, which in typical Disney fashion, was available months before the movie came out. There was even a special pre-release event at our local Disney store, which I happily attended with a bunch of small children, not embarrassed at all to join in the fun. I soaked it all up!

So, of course I went to see Moana as soon as it was released, on Wednesday November 23rd. Thanksgiving eve. My wife, son and I donned our 3D glasses as we found our seats in the surprisingly uncrowded theatre. I had to post the event as a check-in on my Facebook page, because, well, this was a big deal. To me.

Now, for full disclosure, we don’t go out to the movies much. I usually prefer to wait for a movie to come out on DVD or Blu-Ray and watch it from the comfort of home. But this was different. I needed to experience Moana on a big movie screen, in 3D, with full theatre sound. I was not disappointed. I love this movie. A lot.

Moana was transformational for me. I’ll leave the reviewing for others (here’s a good one if you’re interested: #PopCulturePundit), but let me just say this was one amazing movie! I found myself getting choked up as the movie ended, with full-blown tears streaming down my cheeks. It’s a little embarrassing to have my 11-year old son see my crying, but I couldn’t help myself, it was very emotional. There was a happy ending, of course, but the message this movie sends you is much more than that.

Moana is a strong female character I would be proud for my daughters to emulate. She’s headstrong for sure, but respects her elders and loves nature. Moana’ attraction to the sea is central to the movie, and her rediscovery of her Polynesian ancestors’ wayfinding skills is key to resolving the plot of the movie.

After I watched this movie for the first time, I rediscovered a modern-day, real-life voyage I had only casually followed previously: the Mālama Honua worldwide voyage of Hōkūle’a. I was originally attracted to the story of this group of explorers because of my love of all things Polynesian, and I followed them on Facebook without really understanding what they were all about. After seeing Moana, I felt inspired to understand Mālama Honua in more depth, and my eyes were really opened. Their mission is to sail the world and find examples of people helping each other and the environment, with the common thread being the ocean that connects us all. What a beautiful idea, come to life! I had to support and share this message with my Facebook family. I hope you will check it out too.

So, apparently art does imitate life. Moana, as it turns out, is based on some actual Polynesian legends, and is pretty faithful to the stories of Polynesian people. Disney has crafted a masterpiece with this movie, and if it could raise the environmental consciousness of at least one person, than it has told a wonderful story indeed. I’ve already gone to see it again, this time with my mother-in-law. It was her turn to see me cry. Oh, well, I’m not ashamed to show my joy and love for Moana. Go see this movie.

Tiki Ohana – Artists, Part Deux

About a year-and-a-half ago, I kicked off a series of posts on the Tiki ohana, kind of a who’s who in the Tiki world. My first post was Tiki Ohana – Artists, featuring the artists I had come to admire by that time. Well, I’ve grown in my Tiki knowledge over the past 18 months, and “discovered” and met some more pretty cool artists along the way. Here they are, the second wave of artists to grace the Tiki Lounge.

Kevin-john Jobczynski. I got to know this wonderful artist the way I meet a lot of Tiki people: on the Internet. KJ checked out my page, I checked out his, and the rest is history. He was kind enough to appear on my podcast, where we talked about his beginnings as a sports artist, doing commission work for famous athletes and celebrities, before finally becoming a Disney master artist. Kevin-john has branched out into purely Tiki art as well. I got to meet him in-person at Tikiman Steve’s TikiFest 2016, which was held at Trader Sam’s Grog Grotto at WDW’s Polynesian Village Resort. Please check out KJ’s amazing art for yourself: http://kevinjohnstudio.com/

Dawn Frasier. Sophista-tiki is the name of this talented artist’s studio in Seattle WA. Dawn Frasier is a multi-faceted Tiki artist, creating everything from water color paintings, rugs, handmade clothing from exclusively designed fabrics, and Tiki decor in many shapes and sizes. One of her watercolors was featured on Page 6 of Smuggler’s Cove, the wonderful new book from Martin and Rebecca Cate. I’m proud to have a print of that amazing watercolor hanging on the wall in the Tiki Lounge. Please check out Dawn Frasier’s wide variety of work here: https://www.etsy.com/shop/sophistatiki

Chaunine Joy Landeau. This talented lady’s art isn’t exactly Tiki (yet), but Chaunine Joy’s work puts her squarely on the periphery. She’s a big fan of Disney and Tiki, and it’s just a matter of time until we get her to drink the Mai-Tai and start painting something Polynesian. Chaunine specializes in whimsical watercolors painted on a page from an actual book, which is pretty cool. She and I are working on a piece of art for the Tiki Lounge, and I already have the wall space ready for it. Stay tuned! In the meantime, please check out Chaunine Joy’s studio here: http://chauninejoy.tictail.com/

Tiki tOny Murphy. Tiki tOny is an artist I’ve just begun to follow. I saw some of his artwork at the aforementioned TikiFest 2016, both on the walls of Trader Sam’s Grog Grotto and on t-shirts worn by a few of my fellow revelers. I also covet some of the custom-painted Vans I saw on his website – they will be mine, oh yes, they will be mine! Tiki tOny was just named the official artist for The Hukilau 2017, and some of the initial sketches he’s shared on his Facebook page look amazing. Please check out his website for those Vans and other cool Tiki stuff here: http://www.tikitony.com/

What’s New at The Polynesian

Walt Disney World’s Polynesian Village Resort is my happy place. When we take family vacations to WDW, that’s where we stay. It’s non-negotiable. The last time we were there, back in November 2014 (see WDW Polynesian Village Day 1), The Poly was under construction, and a lot of the resort was unrecognizable. Last week I was in Orlando for a sales conference at the Marriott World Center, and we brought the family in a few days early for a mini vacation. We didn’t stay overnight at The Polynesian, but we did spend a few precious hours there last Saturday afternoon.

So what was the reason for a quick trip to my happy place? Like I need a reason?!? Actually, there were 4 good reasons:

1. To see how the renovations turned out;
2. To get some Dole Whip;
3. To have dinner at the Kona Café;
4. To meet my Tiki buddy from Jacksonville, George Borcherding.

Let’s start with George. He and I have become Facebook friends because we share a love of Tiki and WDW. George and I had never actually met, but when I told him I had a sales conference in Orlando in February and planned to stop by The Poly, George marked the date on his calendar and said he would meet me there. True Tiki friendship knows no bounds!

After a quick introduction in the Tambu Lounge, we headed down to the Pineapple Lanai for our first Dole Whip. It’s not a stretch to say George is addicted to Dole Whip. He obsesses over it on Facebook, and his travels in search of Dole Whip are epic. Once we scored our Dole Whip, we sat on the outdoor patio around the corner to be first in line for our next destination: Trader Sam’s Grog Grotto.

Here was the thing I was most excited to see on this trip: Trader Sam’s. My wife Jessica and I have been to the one at Disneyland, when we were there in 2013 for the 50th anniversary of the Enchanted Tiki Room (see Aloha Spirit: Los Angeles). When we found out they were opening one at The Polynesian, we were looking forward to checking it out. Unfortunately, it was just being built when we were last here. So this was our next chance, and we took it!

The thing that was most distinctive about the East Coast Trader Sam’s was Uh-Oa, a crazy, Voodoo like goddess who is a focal point of the corner of the bar where we sat. Uh-Oa is also one of the signature drinks that generates an elaborate light and sound show when you order it, and comes in a cool Tiki mug. Of course, we ordered it first, and I brought that mug home to pair with my Krakatoa mug from the West Coast Trader Sam’s.

After a couple of drinks at Trader Sam’s Grog Grotto, George and I went back into the Great Ceremonial House to pay tribute to Maui, the Polynesian Village Resort logo who has come to life as a large statue at the center of the first floor. I was sad when they decided to remove the iconic waterfall that rose 2 stories above the lobby, but I must admit Maui is a nice replacement. The ground floor is much brighter now, with plenty of seating and wonderful nautical decor hanging from the now-visible glass ceiling. Well done, Disney!

Mahalo, George, for making the trip to hang out with me at my happy place! After this photo, we said aloha to George and went upstairs to have dinner at the Kona Café. My family had never eaten dinner there before, as we’re partial to the feast at Ohana, but this was the trip for new things, so we gave it a shot. It was very nice! They have a new menu at Kona Café, and many of the appetizers are familiar from Ohana, but the entrees were different and quite good. I had the tuna, and it was one of the best pieces of tuna I’ve ever had! After dinner, my son Ryan and I had one more Dole Whip for the road, and we were on our way to our next destination.

All in all, our visit to the Polynesian Village Resort was short but sweet. The changes they’ve made were all for the better, in my opinion. We stayed in 3 different hotels in Orlando for the 4 nights of this trip, and my family agrees: when we come back to WDW for a full vacation, we will come back to The Polynesian. Like I said before: it’s non-negotiable.

Tiki Music: Space-Age Bachelor Pad

No music is more central to the Tiki scene, in my opinion, than Space-Age Bachelor Pad music. That’s why I put it at the center of A. Panda’s Galaxy of Sound. This is the theme music for the Mid-Century Modern era in America.

But what is it? Some people may consider this Easy Listening music – the kind of stuff that was blown off of the charts by the British Invasion of the 1960s. I prefer to think of it as the music that supported a lifestyle. The hip, romantic men of the Postwar period, creating sexy moods with furniture, drinks, and music, for the sole purpose of luring the fairer sex to their place for a good time. These were their anthems.

So here are the albums I’ve been listening to that bring the Space-Age Bachelor Pad to life for me. These are all sonically lush recordings, exploring the capabilities of stereo sound, jazzy instrumentals, and quirky vocals.

 

Esquivel: Space-Age Bachelor Pad Music (1994). This music all begins with Juan García Esquivel, the Mexican composer/musician who created the style. This 1994 compilation bears its name for that reason. Esquivel pushed the boundaries of Jazz, Lounge and Instrumental music in the 1950s and 1960s, and popularized the use of stereo sound techniques and wordless vocals. Many of the musicians that followed owe a tremendous debt to this relatively obscure genius. Zu-zu-zu!

 

Getz/Gilberto (1964). Continuing the international nature of this music, Jazz sax great Stan Getz teamed up with Brazillian musicians João Gilberto and Antônio Carlos Jobim to introduce a sexy, jazzy music to the American consciousness. The zenith of this music’s popularity came with the tune Girl from Ipanema (sung by João’s wife, Astrud Gilberto), the ubiquitous song still instantly recognizable to this day.

 

Herb Alpert and The Tijuana Brass: Whipped Cream & Other Delights (1965). Wow. That album cover. What can I say, but: wow! Herb Albert’s music was equally as sexy, which is why it was in constant rotation in bachelor pads across America during the Mid-Century Modern era. Anybody who remembers watching The Dating Game will instantly recognize the theme song and much of the in-game music from this album.

 

Henry Mancini: Greatest Hits (2000). From The Baby Elephant Walk to The Pink Panther and Peter Gunn, Henry Mancini was the author of some of the most iconic music in movies and television of the Mid-Century. If you were watching TV or listening to a movie soundtrack in your bachelor pad, chances were good you were listening to one of Henry Mancini’s compositions.

 

Combustible Edison: I, Swinger (1994). This was the most important band of the Lounge/Swing/Tiki revival of the mid-1990s. Combustible Edison brought back the sound of the Space-Age Bachelor Pad with this album and their stunning soundtrack to the film Four Rooms, which also featured the music of Esquivel. Have I mentioned how profoundly this movie has influenced me?

 

Pink Panther’s Penthouse Party (2004). This album is an homage to the music created by Henry Mancini, with classics and new tunes performed by current artists like Fat Boy Slim, Dmitri from Paris, and Kinky. My wife Jess bought me this CD because of the SHAG cover art, but the music was a revelation. A bachelor-pad soundtrack for the modern age.

 

The SG Sound: The Pleasure Center (2007). Speaking of the modern age, I got to know Stephen Greaves through one of the Tiki groups on Facebook, where I was introduced to The SG Sound. What an amazing musician! This album would fit right into the mid-20th Century as well as it does in the 21st. Mahalo, Stephen!

 

Mr. Ho’s Orchestrotica: The Unforgettable Sounds of Esquivel (2010). Space-Age Bachelor Pad music comes full circle, as Brian O’Neill faithfully and meticulously recreates the music of Esquivel with his 23-piece big band, Mr. Ho’s Orchestrotica. This was no small task, as none of this music was ever scored on paper, so Brian had to do it by ear. Mini Skirt is my favorite Esquivel tune and the current ringtone on my iPhone, so I think of Mr. Ho whenever he plays it for my incoming calls. Groovy!

So there you have it: the 5th and final star in A. Panda’s Galaxy of Sound. I’ve enjoyed sharing my Tiki music with you this summer. I suggest you also check out my new podcast, apandatikipod.podcast.com, where I’m featuring the actual music from my mix CDs. You’ll also hear some interviews with legends of the Lounge/Exotica/Tiki scene, along with some cool stories from my Tiki journey. I hope you’ll check it out and tell me what you think. Mahalo!

 

Tiki Music: Surf

Surf music, like jazz, is an eminently American creation. I believe it’s an essential part of Tiki culture, starting in Mid-Century Modern America and flourishing worldwide today. Like Tiki, surf music took a break in popularity starting in the late 1960s, but was revived in the mid 1990s.

Let’s start with the classics. The Beach Boys. Dick Dale and The Del-Tones. The Ventures. Jan & Dean. The Surfaris. The list goes on, but this is pretty representative of the Surf music legends who stormed the beaches of Southern California in the early 1960s. My favorite Surf songs are still Hawaii Five-O and Wipe Out, going back to my preteen days. I’ve always favored the instrumental music of The Ventures to the vocal surf tunes of The Beach Boys, and the instrumental style has better withstood the test of time. Dick Dale has a foot in both camps and is still going strong, but he can do whatever he wants, because, after all, he IS the King of the Surf Guitar!

So, here’s a list of the Surf music artists I’ve been listening to for the past 30 years, with a brief description of their style and where I first heard them.

The Ventures: The Best of The Ventures (1987). These guys started it all for me in junior high. They actually covered a lot of songs, but they made Hawaii Five-O their own. I just saw The Ventures play last year in Bethlehem PA and they sounded great!

 

Dick Dale and The Del-Tones: Greatest Hits 1961-76 (1992). The King of the Surf Guitar, and arguably the greatest guitar player on Earth. Dick Dale’s been playing non-stop since 1961, and his popularity was rejuvenated when his classic version of Misirlou was used as the theme song for Pulp Fiction in 1994.

 

The Ultras: Surf Pop Sludge (1993). I first heard these guys on college radio in Lancaster PA. They were a nice blend of tribute and tongue-in-cheek, doing both vocal and instrumental Surf originals. The Ultras had the King of the Sludge Guitar!

 

The Halibuts: Life on the Bottom (1996). I found this gem in a small music store in Chicago (my first listening post experience) and haven’t stopped listening to it for almost 20 years. The Halibuts played some of the most melodic instrumental Surf music you’ll ever hear.

 

Red Elvises: Surfing in Siberia (1997). 4 cats from Russia move to LA and start playing Surf music. You can’t make this shit up! I first saw these guys play at Musikfest in Bethlehem in 1999, where they became a staple for years. Sadly, Red Elvises lost their mojo when their lead guitarist Zhenya left the band only a few years later.

 

Los Straitjackets: ¡Damas y Caballeros! Los Straitjackets (2001). Another discovery at Musikfest, only these guys’ shtick is that they wear Luche Libre wrestling masks everywhere they go. Hailing from Nashville TN, Los Straitjackets are my favorite Surf band of all time. Classic, straight-ahead instrumental Surf originals with Spanish dialogue between songs. Olé!

 

Coffin Daggers: Coffin Daggers (2002). Musikfest strikes again, this time with a band from NYC best described as Goth Surf. Coffin Daggers infuse Surf music with a heavy dose of fuzzy keyboards and theremin, creating a spooky, sci-fi sound very different from most other bands. Think Addams Family goes to the beach!

 

The Intoxicators: Journey to the Center of the Earth (2006). I just saw this band for the first time at The Hukilau 2014 in Fort Lauderdale. The Intoxicators are a high-energy, instrumental Surf band from Tallahassee FL playing clever, original music. Twin guitars, thumping bass and a Shriner fez-wearing drummer make them the perfect Surf band for the Tiki Lounge.

 

Great White Caps: Sting of Death (2009). Surf music from Bethlehem PA, of all places, and another Musikfest staple. We’re 90 miles from the ocean here, but Great White Caps crafted a unique Surf sound with their blend of original instrumental and vocal tunes. Sadly, these guys just disbanded earlier this year. Aloha GWC.

 

Skinny Jimmy and The Stingrays (2009). Another band I just discovered at The Hukilau, these guys hail from Deerfield Beach FL, just north of Fort Lauderdale. Skinny Jimmy was the most nondescript, pleasant fellow when I talked to him during the event, but with a guitar in-hand onstage at The Mai-Kai, he was an animal! I may have to move to Florida to catch Surf bands like this on a regular basis.

 

Five Eaux (2014). The newest band I’ve stumbled across hails from St. Louis MO. John Bartley, the creator of Five Eaux, reached out to the Tiki Lounge via Facebook, and we’ve been fast friends ever since. I can’t really classify them as simply Surf, as John also does James Bond themes, Spaghetti Western tunes, and much more. In his own words, Five Eaux is bringing Tiki back, with class. Aloha, Jon Tiki!

I’ve been creating Surf compilations for 10 years, and I’ve done more Surf mixes than any other genre of music. Over the years these mix discs have evolved as I’ve discovered more great Surf bands. I’ve also started incorporating other Tiki music styles into the mix, as I better learn the link between Surf and Tiki. They are inseparable! My friend Jeff Chouinard, a Tiki carver, says it best: Surf Soul Tiki. Mahalo!

Panda’s Musical Productions

As I mentioned in a previous post (Whenceforth A. Panda’s Tiki Lounge?, Nov2013), the making of a mix disc was the trigger for my obsession with all things Tiki. My first CD, Panda’s Swinging Cocktail Lounge, was a tribute to music about drinking and introduced me to the artwork of SHAG. I’ve revisited both of these themes in many of my mix discs (I’m up to 27 now). But pandas do not live by Tiki alone.

I listen to a lot of lounge/exotica music these days. What a difference 10 years makes! As I look back over all of the mix discs I’ve made in those 10 years, 2 musical genres jump out as my favorites: Christmas and Surf.

I have always loved Christmas music. Going back to my earliest recollections of old chestnuts like Bing Crosby’s White Christmas and The Vince Guaraldi Trio’s classic Charlie Brown Christmas soundtrack, I can’t remember a time when I didn’t enjoy Christmas tunes. All year long. And the best part about this genre of music is that it spans all styles, from classical to pop, jazz to rock and roll, blues to country, and even lounge, Hawaiian and surf. Worlds colliding. Everybody plays Christmas songs, and I’ve got 5 mix CDs worth of them to show how diverse a group of musicians have gotten into the spirit!

Surf music is another musical genre I’ve appreciated for a long time. This goes back to The Ventures cover of Hawaii Five-O, and although I never really got into The Beach Boys, I have come to love Dick Dale, The Surfaris, and the rest of the classic surf bands. I’ve also embraced a new generation of surf rockers, including Red Elvises, Los Straitjackets, and my current favorites, Bethlehem’s own Great White Caps! I’ve managed to crank out 4 surf mix CDs so far. Cowabunga, dudes!

Probably the most fun I’ve had making mix CDs has involved the compilations I’ve made chronicling important periods of my life so far. It started in 2005, with the creation of Panda’s Tribute: 1965, celebrating my 40th birthday. What a wonderful history lesson that was! Since then, I’ve also crafted tributes to the golden age of television (Panda’s Pop Quiz, 1960-75), the rise of post-disco artists (Panda’s Debutantes, 1977-79), the 1980s music video boom (Panda Wants His MTV), and the grunge rock of the early 1990s (Panda’s Rock & Roll Rebirth, 1990-95). Finally, throw in some tributes to my wife, kids, lost friends, and other genres like Blues, Classical, and Zydeco, and you get the gumbo that is my life of appreciating music.

If you want to see the cover art for all 27 of my music mix CDs, check out my Facebook photo album, Andy Panda’s Album Covers. Mahalo!

Stalking SHAG

I love the work of Josh Agle, the artist better known as SHAG. Sometimes I wonder if I’m not obsessed with him. My chance discovery of SHAG’s art (see my 24Nov13 post, Whenceforth A. Panda’s Tiki Lounge?) started me on the path to Tiki, a journey I’ve thoroughly enjoyed, and I sure have collected a lot of SHAG swag over the years. Most of it I’ve gotten myself, but some of it has been acquired for me by my partners in crime, often times in-person, with requests for personalized signatures on my behalf. Which is why SHAG must think I’m stalking him.

Chicago, July 2006. My second SHAG print, Raft of the Medusa, came from his SHAG After Dark exhibition at the DVA Gallery in Lincoln Park. Now I don’t live in Chicago, but my friend Bruce does, and he agreed to head over to the gallery and pick up this print for me. As it turns out, he went there on the first day of the show, and happened to meet Josh Agle in-person, who was there for the premiere party. Bruce got him to autograph the print for me, which was pretty cool.

New York City, November 2008. I first met Josh Agle myself at the Jonathan Levine Gallery in Chelsea, where he attended the premiere of his Voyeur exhibition. My wife Jess & I took a day trip to NYC, where we did our usual touristy stuff (Times Square, Rockefeller Center, F.A.O. Schwartz), walked down to the old Empire Diner for dinner, then ended the day at the art gallery for the SHAG party. We got there early, and he got there late, but he was gracious and kind enough to talk with me and pose for a few pictures. He also signed my new print, In Search of Tiki, which I had schlepped all over NYC in its tube in my backpack, hoping to get a SHAG personalized autograph. We were off to a good start, Josh & I.

Anaheim, September 2009. Disneyland’s Haunted Mansion celebrated its 40th anniversary in 2009. SHAG was commissioned by Disney to create some artwork for the event. They had worked together before on other milestone celebrations, but this was the first time that I was aware of it beforehand and had the opportunity to get some swag in real time. If only I knew somebody in LA! Well, I didn’t, but my friend Gordon has an aunt, Mary Pat Killian, who lives in Whittier and happens to have season passes to Disneyland. Bingo! Gordon asked Aunt Mary if she’d be willing to pick up a few things for me, and she was game. No personalized SHAG autographs, but she did get me some great items, including a set of collectible pins, a tin of postcards, and a cool mini print with themed frame that now hangs in my daughter Natalia’s room. Thanks, Aunt Mary!

Chicago, February 2010. SHAG came back to Chicago, this time to the Rotofugi Gallery (which had merged with DVA) for his Red Star, Black Eye exhibition. My wallet and I were on hiatus from spending money on SHAG prints (I was up to 4 by now), but even though I wasn’t in the market for anything, I told my buddy Bruce that Josh Agle was coming back to town. Unbeknownst to me, Bruce attended the premiere event, and picked up a little something for me as a surprise birthday gift: a toy Shriner car, also inspired and designed by SHAG. How cool is that?! Of course, Bruce got him to autograph the car for me, but by this time, Josh was on to me and my network.

Orlando, October 2011. SHAG was called upon by Disney yet again, this time to celebrate the 40th anniversary of Walt Disney World. Now this one was a big deal to me, as my family has fallen in love with WDW and had already vacationed there twice in the 3 years before this event. In fact, we were scheduled to be there again in December of 2011, but I was afraid that might be too late to get any of the good SHAG swag going on sale in October. So, who did I know on the ground in Orlando? Of course: another old friend and former hockey teammate, Michael Hardy! Mike had been living in Orlando for a few years, and when I asked him to run over to the Art of Disney gallery at Downtown Disney to pick up a few things, he was happy to do it. He called me from the gallery to tell me what was available, and we hit the mother lode: shirts, coasters, post cards, pins, and another cool mini print (this one hangs in my other daughter Lexie’s room). It turns out Mike was there on the day Josh Agle was there as well, so he went up to Josh and asked him to sign a few things for his friend, Andy Panda. According to Mike, Josh just shook his head, smiled, and graciously signed away! I was glad to be able to return the favor to Mike a couple of months later, when I treated him to a round of golf at WDW, followed by some Mai-Tais at the Polynesian Resort’s Tamba Lounge. Mahalo, Mike!

Palm Springs, December 2012. I’ve gotten to know Monet Leann Orystick pretty well, even though I’ve never met her. Monet runs SHAG: The Store in Palm Springs, which is associated with M Modern Gallery, who has hosted several of SHAG’s art exhibitions. I’ve ordered a couple of SHAG shirts from Monet, who does a great job of sending out blast emails and Facebook posts to tempt suckers like me. One day I asked her if Josh Agle visited the store often, and she told me he tries to get there about once a month. I then asked Monet if she’d be willing to deliver a package to him, if I mailed it to the store, and she said she’d be happy to do that for me! I sent Josh a couple of my mix CDs featuring his art on the cover, and a nice letter asking him to consider coming to visit my hometown of Bethlehem. Boy, was I surprised when I got this hand-written note back about a month later!

New York City, April 2013. Josh Agle returned to the Jonathan Levine Gallery for a 3rd time (I missed the 2nd time) for his Thursday’s Girl exhibition. He had some really cool paintings featuring Andy Warhol, Lou Reed and the Velvet Underground, which unfortunately I didn’t have the $10K to buy! I did come to the premiere party, however, and this time I brought the whole family with me. Thanks to some hellacious NYC traffic and family-friendly stops at Ellen’s Stardust Diner and the Nintendo Store, we were seriously late to the party, and almost didn’t make it before they locked the gallery doors. Fortunately, my friends Beth Lennon (a/k/a Mod Betty) and Cliff Hillis (a/k/a Pop Star) were there to let us in, and Beth had even gotten SHAG to sign one of the event postcards for me in case I didn’t make it. Another stalker joins the team! Well, we did make it, barely, and just like 5 years earlier, SHAG was gracious enough to chat with me and pose for pictures with my whole family. He also thanked me for the CDs I had sent him a few months earlier and asked me when we would come visit him in LA? Funny he should ask!

Anaheim, June 2013. The 50th anniversary of Disneyland’s Enchanted Tiki Room was a huge event in the Tiki world. I had already decided to spend my birthday weekend in LA with Jess, centered around this event as the focal point, and as an added bonus, we met “Aunt” Mary Pat Killian in-person and treated her, her husband Hank, and her nephew (and my friend) Gordon to dinner and drinks at Trader Sam’s Enchanted Tiki Bar. So when Josh Agle asked me, a few months earlier in NYC, when we were coming to LA, I just laughed and told him we’d see him again in June! Of course, I already knew that Disney had commissioned SHAG once more to create the signature artwork for this celebration, and I was prepared to finally pick up my SHAG/Disney swag in-person, for the first time. And what a haul! I had pre-ordered most of it, but was still really excited to handle the merchandise: shirts, pins, postcards, mini prints, Tiki mugs, bowls, and even some cool extra stuff we got just for pre-registering for the event! As we met Josh to get some of our stuff signed, he again thanked me for the CDs I had sent him, telling me how much he enjoyed listening to them during his drives out to Palm Springs. I smiled as I handed him another CD I had brought him, just for this occasion! Josh then signed one of my mini prints, with the orange Sharpee I had brought with me for this specific purpose, giving me the coolest personalized SHAG autograph I’m proud to have. I was in Heaven.

So when will I next see Josh Agle? Who knows? It may be as soon as The Hukilau in Fort Lauderdale this June, which Bruce and I plan to attend. SHAG has been to The Hukilau before, so maybe he’ll be there this year? If so, I’ll be happy to buy him a drink, shoot the breeze, and not ask him to sign anything, for a change. Unless, of course, I end up buying some really cool SHAG swag there…